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J02257 Summary:

BILL NOJ02257
 
SAME ASNo Same As
 
SPONSORCLEARE
 
COSPNSR
 
MLTSPNSR
 
 
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J02257 Text:

 
Senate Resolution No. 2257
 
BY: Senator CLEARE
 
        MOURNING  the death of legendary sax player, Sonny
        Rollins, one of the most important  and  influential
        jazz musicians in the history of American music
 
  WHEREAS,  It  is the sense of this Legislative Body to honor and pay
tribute to those musical geniuses whose commitment and creative  talents
have  contributed  to the entertainment and cultural enrichment of their
community, the State of New York, the Nation and the world; and
 
  WHEREAS, It is with  profound  sorrow  and  deep  regret  that  this
Legislative Body mourn the death of legendary sax player, Sonny Rollins,
one  of the most important and influential jazz musicians in the history
of American music, noting the significance  of  his  inspired  life  and
accomplishments; and
 
  WHEREAS,  Sonny  Rollins, whose forceful and imaginative approach to
the tenor saxophone made him one of the dominant jazz musicians  of  the
post-World  War  II  era,  died  at  his home in Woodstock, New York, on
Monday May 25, 2026, at the age of 95; and
 
  WHEREAS, Walter Theodore "Sonny" Rollins was born  on  September  7,
1930 in New York City to parents from the Virgin Islands; and
 
  WHEREAS,  The  youngest  of three siblings, Sonny Rollins grew up in
central Harlem and on Sugar Hill, not far from the Savoy  Ballroom,  the
Apollo Theatre, and the doorstep of his idol, Coleman Hawkins; receiving
his  first  alto saxophone at the age of seven or eight, he was inspired
by Louis Jordan, Fats Waller and Louis Armstrong; and
 
  WHEREAS, Sonny Rollins switched to tenor saxophone in  1946  at  the
age of 16 to emulate Coleman Hawkins; and
 
  WHEREAS,  During  his  high-school  years, Sonny Rollins played in a
band with other future jazz legends Jackie McLean, Kenny Drew,  and  Art
Taylor; and
 
  WHEREAS,  Sonny  Rollins attended Edward W. Stitt Junior High School
and graduated from Benjamin Franklin High School in East Harlem in 1948;
and
 
  WHEREAS, While living in Sugar  Hill  in  the  early  1950's,  Sonny
Rollins established a reputation first among musicians, then the public,
as  the  most  brash  and creative young tenor on the scene, through his
work and recordings  with  Babs  Gonzales,  J.J.  Johnson,  Bud  Powell,
Thelonious  Monk,  the  Modern  Jazz  Quartet, Charlie Parker, and Miles
Davis; and
 
  WHEREAS, In 1956, after returning from  a  brief  move  to  Chicago,
Sonny  Rollins  began  recording  the  first  of  a  series  of landmark
recordings issued  under  his  own  name:  "Valse  Hot"  introduced  the
practice,  now  common,  of  playing  bop  in  3/4  meter;  "St. Thomas"
initiated his explorations of calypso patterns; and "Blue 7" was  hailed
by   Gunther  Schuller  as  demonstrating  a  new  manner  of  "thematic
 
improvisation," in which the soloist develops motifs extracted from  his
theme; and
 
  WHEREAS, Sonny Rollins' 1956 album "Saxophone Colossus" was selected
for  preservation  by  the National Recording Registry of the Library of
Congress in 2016; and
 
  WHEREAS, During the years 1956 to 1958,  Sonny  Rollins  was  widely
regarded  as the most talented and innovative tenor saxophonist in jazz,
and his first examples of the  unaccompanied  solo  playing  that  would
become  a  specialty  also  appeared in this period; yet the perpetually
dissatisfied  saxophonist  questioned  the   acclaim   his   music   was
attracting,  and  between  1959  and  late 1961, he withdrew from public
performance; and
 
  WHEREAS, Sonny Rollins returned to action in late  1961,  his  first
recording  was appropriately titled "The Bridge" and by the mid-60s, his
live sets became grand, marathon stream-of-consciousness solos where  he
would  call  forth  melodies  from his encyclopedic knowledge of popular
songs, including startling segues  and  sometimes  barely  visiting  one
theme before surging into dazzling variations upon the next; and
 
  WHEREAS,  The period between 1962 and 1966 saw Sonny Rollins working
and striking productive relationships with Jim Hall,  Don  Cherry,  Paul
Bley,  and  his  idol Coleman Hawkins, yet he grew dissatisfied with the
music business once again and started yet another  sabbatical  in  1966;
and
 
  WHEREAS,  In  1965, Sonny Rollins married Lucille Pearson, in Kansas
City, Missouri; and
 
  WHEREAS, In 1972, with the encouragement and  support  of  his  wife
Lucille,  who  had  become  his  business  manager,  Rollins returned to
performing and recording, signing with  Milestone  and  releasing  "Next
Album"; and
 
  WHEREAS,  Sonny Rollins' lengthy association with the Berkeley-based
label, Milestone, produced two dozen albums in various settings-from his
working groups to all-star ensembles (Tommy Flanagan,  Jack  DeJohnette,
Stanley  Clarke,  Tony Williams); from a solo recital to tour recordings
with the Milestone Jazzstars (Ron Carter, McCoy Tyner); and
 
  WHEREAS, After decades of innovating  and  influencing  Jazz  music,
Sonny  Rollins  won his first performance Grammy for "This Is What I Do"
in 2000, and his second for 2004's "Without a Song"; and
 
  WHEREAS, Sonny Rollins received a Lifetime  Achievement  Award  from
the  National  Academy  of  Recording  Arts  and  Sciences  in 2004, was
inducted into the Academy of Achievement in June 2006, was  awarded  the
Austrian  Cross  of  Honor for Science and Art, First Class, in November
2009, became one of  229  leaders  in  the  sciences,  social  sciences,
humanities,  arts,  business,  and  public affairs who have been elected
members of the American Academy of Arts and Sciences on the eve  of  his
80th  Birthday  in  2010, became the first jazz composer to be named the
Edward MacDowell Medalist in August 2010, and on March  2,  2011,  Sonny
Rollins  received  the  Medal  of  Arts,  the Nation's highest honor for
artistic excellence, from  President  Barack  Obama  in  a  White  House
ceremony; and
 
 
  WHEREAS,  Sonny  Rollins  would  play his last public performance in
2012, and move to Woodstock, New York in 2013; and
 
  WHEREAS, Sonny Rollins is predeceased by his wife Lucille who passed
away in 2004; and
 
  WHEREAS, Armed with a humanistic spirit,  imbued  with  a  sense  of
compassion,  and  an  unparalleled  talent that transcended generations,
Sonny Rollins leaves behind a legacy which will long endure the  passage
of  time  and  will  remain  an  inspiration to all future musicians and
everyone his music touched; now, therefore, be it
 
  RESOLVED, That this Legislative Body pause in its  deliberations  to
mourn  the death of legendary sax player, Sonny Rollins, one of the most
important and influential jazz musicians  in  the  history  of  American
music; and be it further
 
  RESOLVED,  That  a  copy  of this Resolution, suitably engrossed, be
transmitted to the family of Sonny Rollins.
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